29
Aug 12

Into the Woods

Part three of three — Into The Vermont Woods.  ©Leili Towfigh, 2012. All rights reserved.
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Maidenhair fern.

 

More lacy ferns.

 

 

Magic hour.

 

 

Tinder Polypore fungus – whilst on the tree. Amazing!

 

Tinder polypore whilst off the tree. Look at all the tiny pores.

 

Tinder polypore broken in half. Each needle-like thing is a “pore”, in stria.

 

More of the tinder polypore, called “amadou” in Europe, and used as … tinder.

 

Bearded hipster bark.

 

Rushing river.

 

Suffused with light.

 

TinyHenge.

 

Erosion from Hurricane Irene. There was a huge oak at the bottom of the ravine.

 

I liken lichen.

 

Glinting, late-afternoon light in the woods.

 

Heather in the magic hour …. Tall grass in the field.

11
Aug 12

Inside

Part two of three — Thanks to inspiration from Samimi-Extremie. Photos of Vermont scenes – second section, Inside.  ©Leili Towfigh, 2012. All rights reserved.

 

Stairs

 

The light at the end of the hall

 

Lots of guests

 

Flash of light

 

106 degrees

 

Organ

 

Stripy velvet

 

The Trusty General

 

Painting, as they are wont to do

 

Kitchen TV

 

Stained glass window made by hand, © Patricia Towfigh

 

Bluebell wood ©Patricia Towfigh

 

Art everywhere

 

Childhood sheets

 

07
Aug 12

Around Town

Part one of three — Thanks to inspiration from Samimi-Extremie. Photos of Vermont scenes – first section, Around Town.   ©Leili Towfigh, 2012. All rights reserved.

Vermont chedder cheese meats

 

petrol, petunias

 

classic little vermont river scene

 

dollar gener

 

new england candies

 

It’s crooked. I was driving.

 

Aubuchon

 

Find the wee bird

 

ice

 

It’s a face!

 

barn

 

SuperSuds Laundromat

 

green mountain state

 

Bar the door, Katie

 

Belmains, formerly known as Ben Franklin

 

Riche’s Furniture

 

Old train car

 

Station

 

28
Mar 07

no matter where you go, there you are


I think a lot about the concept of placeness, and what differentiates one location on the planet from another, beyond what you can see. Isn’t it interesting that in certain places you can sense stories humming in undertones? And that the spaces in which we move, physically, effect our activities and emotions and aspirations in radically different ways, via so many variables: geographical location, physical and natural features, human culture, history and migration, climate, pollution, design … and many more?

Some physical places look mundane, but have witnessed horrors and can make you shiver just to enter them. Some places make you feel elated and free.

Mazra'ih
moss-covered wall
Originally uploaded by .Leili.

Some crowded, whirring places simultaneously press on your soul, and awaken creativity. If there is no personal space for you in the crowd, in order to survive, you might have to make psychic space and distance around you.

matatus
Kampala Old Taxi Park (Matatu Park)
Originally uploaded by Kattaka.

Boston Symphony Hall

In addition to these physical features, it seems that each place could also be said to have a spiritual history – a history of human relationships, advancement, interactions, choices, conflicts, innovations, struggles and love.

I went the other day to Boston Symphony Hall. We saw Fidelio with the amazing Christine Brewer in the Leonore/Fidelio role. Symphony Hall really has placeness. I grew up hearing stories about music heard in that place, towering musical figures encountered in that place. The building even had a role in my parents’ marriage.

So what constitutes “placeness” for you? What locations stay with you, and why? Do these places look unassuming, or might the uninitiated be able to tell that there is something special about that place from just a glance? Are your thoughts about placeness connected to ideas about home?


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